BIOGRAPHY Born 1951 Cruz Alta, Brazil Lives and works in New York City since 1978 EDUCATION 1974 Studied at Ecole Nationale Superiore des Beaux-Arts, Paris, France SOLO EXHIBITIONS 2008 “Witness,” Sikkema Jenkins & Co. 2007 Galerie Daniel Templon, Paris, The Beijing Series, September 8, 2007 – October 22, 2007 Galerie Alain Noirhomme, Brusselles, April 2007 2006 Galeria Brito Cimino, Sao Paulo, SP, Brazil Galeria Paolo Curti / Annamaria Gambuzzi & Co. Milan, Italy, Italy March 7 – June 7, 2006 2005 Galeri Baudoin Lebon, Paris, France, October 19 – December 3 2004 "Gods of the People," Brent Sikkema, New York 2003 Galleria Sperone, Rome, Italy, January 2002 Cheim & Read, New York Museo De Arte Moderno, Mexico 2001 The Carrie Secrist Gallery, Chicago Casa Iteso-Clavigero, Mexico 2000 "Saint Clair Cemin Sculpture," Lever House Lobby Gallery, New York Galeria Camargo Vilaca, Sao Paulo, Brazil 1999 The Arts Club of Chicago, Chicago Galeria Enrique Guererro, Mexico City Cheim & Read, New York "Saint Clair Cemin: Bronzes," Velge & Noirhomme, Brussels, Belgium 1998 "Saint Clair Cemin: Man Woman Tree Boat House Car Golem," Galleri Lars Bohman, Stockholm, Sweden Saint Clair Cemin: Chimera, Baumgartner Galleries, Inc., Washington, D.C. "Saint Clair Cemin," Birmingham Museum of Art, Birmingham, Alabama 1997 Galeria Camargo Vilaca, Sao Paulo, Brazil, Saint Clair Cemin "Saint Clair Cemin, Sculptures," Centro Cultural Light "Saint Clair Cemin: Four New Sculptures," Robert Miller Gallery, New York 1995 Galeria Camargo Vilaca, Sao Paulo, Brazil "Saint Clair Cemin: Sculptures," Gian Ferrari Contemporanea, Milan, Italy Robert Miller Gallery, New York 1994 "Escultura de Saint Clair Cemin, 1984-1993," Museo de Arte Contemporaneo, Monterrey, Mexico [Traveled to: Center for the Fine Arts, Miami] Galeria Camargo Vilaca, Sao Paulo, Brazil Gallerie Lars Bohman, Stockholm, Sweden Robert Miller Gallery, New York Galerie Daniel Templon, Paris, France 1993 "Saint Clair Cemin: About Materials," The Greenberg Gallery, St. Louis "Saint Clair Cemin," Anders Tornberg Gallery, Lund, Sweden Galerie Barbara Farber, Amsterdam, The Netherlands 1992 "New Sculpture," Robert Miller Gallery, New York Galeria Soledad Lorenzo, Madrid "The Human Condition," Paul Kasmin Gallery, New York 1991 "Saint Clair Cemin," Witte de With, Rotterdam, The Netherlands "Directions - Saint Clair Cemin," Hirshhorn Museum and Sculpture Garden, Smithsonian Institute, Washington, D.C "Saint Clair Cemin," Baumgartner Galleries, Washington, D.C "Saint Clair Cemin: Recent Sculpture," Daniel Weinberg Gallery, Santa Monica 1990 Anders Tornberg Gallery, Lund, Sweden Massimo Audiello Gallery, New York, and Sperone Westwater Gallery Galerie Thaddaeus Ropac, Paris, France 1989 Gian Enzo Sperone Gallery, Rome, Italy Massimo Audiello Gallery, New York Daniel Weinberg Gallery, Los Angeles 1988 Daniel Weinberg Gallery, Los Angeles Rhona Hoffman Gallery, Chicago, Illinois 1987 Massimo Audiello Gallery, New York 1986 Daniel Newburg Gallery, New York 1985 Daniel Newburg Gallery, New York 1984 Beulah Land, New York 1982 Galeria Projecta, Sao Paulo, Brazil The Red Bar, New York 1981 Galeria Guinard, Porto Alegre, Brazil Galeria Projecta, Sao Paulo, Brazil 1980 The White Room, Hasselt, Belgium 1979 Galeria Projecta, Sao Paulo, Brazil Galeria Guinard, Porto Alegre, Brazil GROUP EXHIBITIONS 2008 Las Vegas Collects Contemporary, Las Vegas Art Museum, Las Vegas NV May 23-Oct 26 2006 Espasso, New York, NY September 19- December Saint Clair Cemin, James Hyde and Jac Leirner, Sikkema Jenkins & Co., New York, NY December 14- January 27, 2007 2005 “Here Comes the Bogey-Man,” Chelsea Art Museum, New York, NY, June 2- September 24 “Life and Limb,” curated by David Humphrey, Feigen Contemporary, New York, NY June 3- July 30 2004 "Cool and Collected," Weatherspoon Art Museum, Greensboro, NC 2002 Cheim & Read, New York 2001 "Secret Victorians/Contemporary Artists and a 19th Century Vision," The Fabric Workshop and Museum, Philadelphi 2000 "Art of the Americas from The Chase Manhattan Collection," The Americas Society, New York Cheim & Read, New York,Opulent "Precious Metals, Sculptures in gold and silver," Baldwin Gallery, Aspen, [Traveled to: Elaine Baker Gallery, Boca Raton, Fl.; Imago Galleries, Palm Desert, Ca.; Galerie Simonne Sterne, New Orleans; Nohra Haime Gallery, New York] "Rough Edge: Selections from the Broad Art Foundation," The Crocker Art Museum, Sacramento "The World Inside the World: Saint Clair Cemin, Abraham David Christian, Elliot Schwartz," Annina Nosei Gallery, New York 1999 "17 Contemporaries, Artists from America, Italy, and Mexico – the Eighties," The Menil Collection "Loaf," Baumgartner Gallery, New York "78th Exhibition of Artist Members," The Arts Club of Chicago 1998 Galleri Stefan Andersson, Umea, Sweden, Umedalen Skulptur, 1998 "Defining Structures," LaSalle Gallery at NationsBank Plaza, Charlotte, North Carolina "Decorative Strategies," Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson Evergreen Auction and Exhibition, New York "Over the Mantle, Over the Couch," Tricia Collins Contemporary Art, New York "The Shared Medium: A Latin-American Drawing Exhibition," Gallery A, Chicago "Food," Marcel Sitcoske Gallery, San Francisco "Secret Victorians, Contemporary Artists and a 19th- Century Vision," Firstsite, Minories Art Gallery, Colchester, England [Traveled to: Arnolfini, Bristol; Ikon Gallery, Birmingham; Middlesbrough Art Gallery, Middlesbrough; UCLA at the Armand Hammer Museum of Art] La Roccabella, Monte Carlo "Convivial," Tricia Collins Contemporary Art, New York 1997 "Premio Marco 1996," Museo de Arte Contemporaneo, Monterrey, Mexico "Latin American Contemporary Artists," Robert Miller Gallery, New York "Objectivity: International Objects of Subjectivity," Contemporary Art Center of Virginia, Virginia Beach "Ut Scientia Pictura," Paolo Baldacci Gallery, New York 1996 "Premio Marco 1995," Museo de arte contemporaneo de Monterrey, Mexico The Mediated Object, Fogg Art Museum, Cambridge, MA "Donald Baechler / Saint Clair Cemin: Painting and Sculpture from the Collection," Fisher Landau Center, Long Island City, NY "Inside: The Work of St. Clair Cemin," California Center for the Arts Museum, Escondido, CA "Saint Clair Cemin, Daniel Senise, Beatriz Milhazes, Adriana Varejao," Quintana Gallery, Coral Gables, FL Robert Miller Gallery, Summer Group Show "The Subverted Object," Ubu Gallery, New York "Contemporary Latin American Artists," Galeria Ramis Barquet and Robert Miller Gallery, New York 1995 "Black & White & Read All Over," LaSalle Lobby Gallery Exhibition, Nations Bank Plaza, Charlotte, North Carolina Zitelle Centro Culturale di Esposizione e Comunicazione, Venice Biennale, Venice, Biennale The Utsukushi-ga-hara Open-Air Museum, Japan, The Second Fujisankei Biennale "Seductive Manner," Rice University Art Gallery, Houston, Texas Sperone Westwater Gallery, New York "Jose Bedia, Carlos Capelan, Saint Clair Cemin," Galeria Fernando Quintana, Bogota, Colombia "Aids - A Heart as a Friend," Palazzo della Triennale, Milan, Italy "Altered & Irrational," Whitney Museum of American Art, New York 1994 "Possible Things," Bardamu, New York "le temps d'un dessin," Galerie de l'Ecole des Beaux-Arts de Lorient, France "In the Spirit of Things," Stux Gallery, New York "Across the River and Into the Trees," The Rushmore Festival, Woodbury, New York The Rushmore Festival, Woodbury, New York, scenic design for "Life is a Dream" by Pedro Calderon de la Barca "Abstract Works on Paper," Robert Miller Gallery, New York "6 Artists," Galeria Camargo Vilaca, Sao Paulo, Brazil, XXII Bienal Internacional de Sao Paulo, September "Bienal Internacional de Sao Paulo," Fundacao Bienal de Sao Paulo, Brazil 1993 "Floor Show," Anders Tornberg Gallery, Lund, Sweden "Zeichnungen setzen Zeichen," Galerie Raymond Bollag I, Zurich, Switzerland 44 Kunstler der Documenta IX: Arbeiten auf Papier "Twenty Years Daniel Weinberg Gallery: A Series of Anniversary Exhibitions," Daniel Weinberg Gallery, Santa Monica, California, Part I "The 21st Century, Into the Future with Paracelsus," Kunsthalle, Basel, Switzerland "Grounds for Sculpture: Spring / Summer Exhibition," The Atlantic Foundation and Johnson Atelier, Hamilton, New Jersey "Drawing the Line Against Aids," American Foundation for AIDS Research International, Peggy Guggenheim Collection, Venice, Italy (under the aegis of the 45th Venice Biennale) "Jours Tranquilles a Clichy," Tennisports Arts, Long Island City, New York "The Best of Washington," The Organization of the American States, Washington, DC "Space of Time: Contemporary Art from the Americas," Americas Society, New York [Traveled to: Center for the Fine Arts, Miami] 1992 "Doubletake, Collective Memory & Current Art," Hayward Gallery, London, [Traveled to: Kunsthalle, Wien] Play Between Fear & Desire, Germans van Eck Gallery, New York "15th Anniversary Exhibition," Rhona Hoffman Gallery, Chicago "Human Hands / Modeled Sculpture," Barbara Toll Fine Arts, New York "Theoretically Yours," Chiesa di San Lorenzo, Regione Autonoma Della Valle D'Aosta, Aosta, Italy "The Figure," Blum Helman Gallery, New York "Transmodern," Baumgartner Galleries, Washington, DC Documenta IX, Kassel, West Germany "Baziotes to Basquiat: 1950's to 1990's," Bellas Artes Gallery, Santa Fe, New Mexico Fundacaco Cultural de Curiba / Museu da Gravura, Curitiba, Parana, Brasil, X Mostra da Gravura Cidade de Curitaba / Mostra America "Concurrents," Grace Borgenicht Gallery, New York "The Thing (silent auction)," Nathalie Karg Gallery, New York Fisher Landau Center, Long Island City, New York 1991 "Between Intuition & Reason, Saint Clair Cemin / Jonathan Lasker," Grossman Gallery, School of the Museum of Fine Arts, Boston, MA "Little Things Mean A Lot," Momentary Modern, Amsterdam, The Netherlands The New Museum of Contemporary Art, New York, The 1991 Benefit Party and Art Auction "Between Image and Identity, Between Identity and Tradition," Centro Atlantico de Arte Moderno, Las Palmas, Gran Canaria, Altrove, [Traveled to: Museo d'Arte Contemporanea, Prato, Italy] "Anni Novanta / The Nineties," Galleria Communale d'Arte Moderna, Bologna, Italy "Rope," La Galeria Fernando Alcolea "Contemporary Sculpture after 1970," Fondation Daniel Templon, Frejus, France "Sculptors' Drawings," Bellas Artes, Santa Fe, New Mexico "American Artists of the 80ês," Palazzo delle Albere, Museo Provinciale d'Arte Sezione Contemporanea, Trento, Italy 1990 "The Last Laugh: Irony, Humor, Self-Mockery, and Derision," Massimo Audiello Gallery, New York "Specific Metaphysic," Sandra Gering Gallery, New York "Saint Clair Cemin, Richard Prince and Meyer Vaisman," Arthur Rogers Gallery, New Orleans "The Last Decade / American Artists of the 80's," Tony Shafrazi Gallery, New York "Culture in Pieces: Other Social Objects," Beaver College Art Gallery, Glenside, PA "Vertigo," Galerie Thaddeus Ropac, Paris, France 1989 "Horn of Plenty," Stedelijk Museum, Amsterdam, The Netherlands "Melencholia," Galerie Grita Insam, Vienna, Austria "American, Italian, and Mexican Art from the Collection of Francesco Pellizzi 1979-1989," Hofstra University, Hempstead, New York [Traveled to: Lehigh University Art, Galleries, Bethlehem, PA] "Whitney Museum of American Art Biennial," Whitney Museum of American Art, New York "The Silent Baroque," Galerie Thaddeus Ropac, Salzburg, Austria "Object/Objective - Reading Things Twice in Contemporary Sculpture," Galerie Daniel Templon, Paris, France 1988 Museum of Contemporary Art, Los Angeles, MOCArt Auction '88 "Artschwager / His Peers and Persuasion 1963-1988," Daniel Weinberg Gallery, Los Angeles, CA [Travelled to: Leo Castelli Gallery, New York] "Off White," Diane Brown Gallery, New York "Art at the End of the Social," The Fredrik Roos Museum, Malm*, Sweden "Hybrid Neutral / Modes of Abstraction and the Social," The University of North Texas Art Gallery, Denton, Texas [Traveled to: The J.B. Speed Museum, Louisville, Kentucky; Alberta College Gallery of Art, Calgary, Alberta, Canada; The Contemporary Arts Center, Cincinnati, Ohio; Richard F. Brush Art Gallery, St. Lawrence University, Canton, N.Y.; Santa Fe Community College Art Gallery, Gainesville, Florida; Mendel Art Gallery & Museum, Sakatoon, Saskatchewan, Canada] Massimo Audiello Gallery, New York, Primary Forms, curated by Collins & "Mediated Structures," Milazzo "The Binational American Art of the Late 80's," The Institute of Contemporary Art, Boston, MA [Traveled to: Kunsthalle, Dusseldorf; Stuttgart] "The New Poverty II," Myers/Bloom Gallery, Santa Monica, CA 1987 "Simila / Dissimila: Modes of Abstraction in Painting, Sculpture and Photography Today," Stadtische Kunsthalle, Dusseldorf, [Traveled to: Columbia University; Leo Castelli Gallery, Sonnabend Gallery, New York] "The Antique Future," Massimo Audiello Gallery, New York "Extreme Order," Lia Rumma Gallery, Naples, Italy "Art Against Aids," New York "The Ironic Sublime," Galerie Albrecht, Munich, Germany "Atlantic Sculpture," Art Center College of Design, Pasadena, CA "Gallery Group Show," Massimo Audiello Gallery, New York "The New Poverty," John Gibson Gallery, New York 1986 "Time After Time," Diane Brown Gallery, New York "Canada," S.L. Simpson Gallery, Toronto "From the Gallery," Daniel Newburg Gallery, New York "Modern Sleep," American Fine Art Co., New York 1985 "Logosimuli," Daniel Newburg Gallery, New York "Homage to Picabia," Art Cafe, New York, December 1984 "Sculpture Survey," Virtual Garrison Gallery, New York 1981 Graphic Biennial, Lubiana, Yugoslavia 1980 "first latin american graphic arts biennial," Cayman Gallery, New York 1979 Pratt Graphic Center, New York Salao Nacional de Art do Rio de Janeiro, Brazil 1978 Galeria Segno Grafico, Venice, Italy Galeria Projecta, Sao Paulo, Brazil AWARDS 1995 The Ueno Royal Museum, Tokyo and the Hakone Open-Air Museum, Japan 1995 Biennial Award and Purchase Prize COLLECTIONS Eli Broad Family Foundation, Los Angeles, California. Emily Fisher Landau Collection, Long Island City. Chase Manhattan Bank, New York. Whitney Museum of American Art, New York. Grounds for Sculpture, Hamilton, New Jersey. Motorola, Inc., Schaumburg, Illinois. Reston Town Center, Reston, Virginia. Museum of Contemporary Art, Los Angeles, California. FNAC (Fonds National d'Art Contemporain), Paris, France. Museo de Arte Contemporaneo, Monterrey, Mexico. Rooseum, Stockholm, Sweden. Hakone Open-Air Museum, Japan. Telenor AS, Bergen, Norway. Bastads Kommun, Sweden. MEIAC - Museo Extremeno e Iberoamericano de Arte Contemporaneo, Badajoz, Spain SELECTED BIBLIOGRAPHY BOOKS AND CATALOGS 2006 Richer, Francesca, and Matthew Rosenzweig, ed. No. 1: First Works by 362 Artists, d.a.p. ISBN 1-933045-09-4. 2005 Saint Clair Cemin Sculptor from Cruz Alta, Text by Richard Milazzo c. 2005 ISBN: 1-893207-25-0 2004 Saint Clair Cemin, by Richard Milazzo, Edgewise Press, c. 2005 1999 Pellizzi, Francesco. Saint Clair Cemin (exhibition catalogue). The Arts Club of Chicago, Chicago, Illinois. Milazzo, Richard. Saint Clair Cemin(exhibition catalogue). Velge & Noirhomme, Brussels, Belgium. 1998 Schwartz, Joyce Pomeroy with Karla Bradley. Defining Structures (exhibition catalogue). Charlotte, North Carolina: La Salle Partners at Nations Bank Plaza. Lobacheff, Georgia. Decorative Strategies (exhibition brochure). New York: Bard College. Guideri, Remo. Man Woman Tree Hand Boat House Car Golem (exhibition catalogue). Stockholm: Galerie Lars Bohman. Feldman, Melissa and Ingrid Schaffner. Secret Victorians / Contemporary Artists and a 19th- Century Vision (exhibition catalogue). London: The South Bank Centre. Cemin , Saint Clair. Remarks on Art (exhibition catalogue). Birmingham: Birmingham Museum of Art. 1997 Saint Clair Cemin/Interview with Vik Muniz (exhibition catalogue). Sao Paulo: Galeria Camargo Vilaca. 1996 Emerich, Luis Carlos. Premio Marco 1995 (exhibition catalogue). Monterrey: MARCO. Leano, Caludia, ed. Fantasies of Fate: The New Latin American Magic Realism (exhibition catalogue). New York: Galeria Ramis Barquet & Robert Miller Gallery. On Paper (exhibition catalogue). New York: Marlborough Gallery Inc. and Madrid: Galeria Marlborough S.A. 1995 Guidieri, Remo. Saint Clair Cemin Sculpture (exhibition catalouge). Milan: Galleria Gian Ferrari Arte Contemporanea. Jose Bedia, Carlos Capelan, Saint Clair Cemin (exhibition catalogue). Bogota, Colomiba: Galeria Fernando Quintana. Kobayashi, Yoshihiko with Shinya Ueda and Sam Hunter. The 2nd Fujisankei Biennale (exhibition catalogue). Japan: The Hakone Open-Air Museum and The Utsukushi-ga-hara Open-Air Museum. Schwartz, Joyce Pomeroy. Black & White & Read All Over (exhibition catalogue). Charlotte, North Carolina: Nationsbank Plaza. LaSalle Partners. 1994 Briet, Philippe. Le temps d'un Dessin (exhibition catalogue). Lorient: Ecole des Beaux-Arts de Lorient. Collins, Tricia and Richard Milazzo. Across the River and into the Trees, A Sculpture Show (exhibition catalogue). Woodbury, NY: The Rushmore Festival. Merewether, Charles and Laura Esquivel. Escultura de Saint Clair Cemin 1984-1993 (exhibition catalogue). Monterrey, Mexico: MARCO. Olesen, Jens. 22. Bienal Internacional Sao Paulo Salasu Especials (exhibition catalogue). Sao Paulo, Brazil: Fundacaco Bienal de Sao Paulo. 1993 Antelo-Suarez, Sandra. Space of Time: Contemporary Art from the America (exhibition catalogue). New York: Americas Society. Cheim, John with Diego Cortez, Carmen Gimenez and Klaus Kertess. I (exhibition catalogue). New York: AMFAR International and Rizzoli International. Kellein, Thomas. The 21st Century: Into the Future with Paracelsus(exhibition catalogue). Basel, Switzerland: Kunsthalle Basel. 1992 Collins, Patricia and Richard Milazzo. Theoretically Yours (exhibition catalogue). Valle d'Aosta, Italia: Regione Autonoma della Valle d'Aosta, Assessorato Pubblica Istruzione. Zaya, Octavio. Saint Clair Cemin (exhibition catalogue). Madrid: Galeria Soledad Lorenzo. Zaya, Octavio. "Saint Clair Cemin," AtlAntica, Internacional Revista de las Artes, November 1992, No. 4, Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, pp. 55-59. 1991 Amalfitano, Lelia and Joseph Mascheck. Between Intuition & Reason Saint Clair Cemin Jonathan Lasker (exhibition catalgoue). Boston, MA: Grossman Gallery, School of the Museum of Fine Arts. Cemin, Saint Clair. Saint Clair Cemin (exhibition catalogue). Rotterdam, The Netherlands: Witte de With. Gettings, Frank. Directions: Saint Clair Cemin. (exhibition brochure). Washington, D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian *Institution. Hilty, Greg with Bice Curiger and Lynne Cooke. Doubletake: Collective Memory & Current Art (exhibition catalogue). London: The South Bank Centre/Parkett. Kuspit, Donald. Saint Clair Cemin. (exhibition catalogue). Washington, D.C.: Baumgartner Galleries, Inc. Kuspit, Donald. "El arte de vanguardia como/Gran Farsa," Atlantica, Revista de las artes, Nos. 2-3, November 1991, Centro Atlantico de arte moderno, Las Palmas de Gran Canaria, p. 7, front cover Salon De Mars. Paris: Medi-Art. Saltz, Jerry and Bariella Belli. American Art of the 80's (exhibition catalogue). Milan: Electa. (in association with Museo d'arte e Contemporanea di Trento e Rovereto). Zaya, Octavio with Donald Kuspit and Christian Leigh. Altrove: Fra Immagine e Identitafra Identitae tradizione (exhibition catalogue). Prato, Italy: Centro per l'Arte Contemporanea Luigi Pecci. Zaya, Octavio. with Donald Kuspit and Christian Leigh. Desplazamientos (exhibition catalogue). Las Palmas de Gran Canaria: Centro Atlantico de Arte Moderno. 1990 Collins, Tricia and Richard Milazzo. The Last Laugh: Irony, Humor, Self- Mockery and Derision (exhibition catalogue). New York: Massimo Audiello Gallery. Collins, Trica and Richard Milazzo, and Robert Pincus-Witten. The Last Decade: American Artists of the '80s (exhibition catalogue) with an essay by Robert Pincus-Witten. New York: Tony Shafrazi Gallery. Culture in Pieces: Other Social Objects (exhibition catalogue). Glenside, Pa: Beaver College Art Gallery. 1989 Cameron, Dan and Peter Weibel. Melencholia (exhibition catalogue). Vienna, Austria: Galerie Grita Insam. Crone, Rainer, and David Moos. Objet/Objectif: Relecture des choses dans la sculpture contemporaine. (exhibition catalogue). Paris: Galerie Templon. Freeman, Phyllis. et.al. New Art, New York: Harry N. Abrams. Midori Nisihizawa, ed., poetry by David Shapiro. Saint Clair Cemin (exhibition catalogue). Kyoto, Japan: Art Random. Pellizzi, Francesco. with Joseph Mascheck, Pamela Gettinger et.al. 1979-1989 American, Italian, Mexican Art from the Collection of Francesco Pellizzi (exhibition catalogue). New York: Hofstra Museum, Hofstra University. 1988 Cemin, Saint Clair. Saint Clair Cemin (exhibition catalogue). Chicago: Rhona Hoffman Gallery. Collins, Tricia and Richard Milazzo. Saint Clair Cemin, Joel Fisher, Jon Kessler, Joel Otterson (exhibition catalogue). New York: Massimo Audiello Gallery. Collins & Milazzo. Off White (exhibition catalogue). New York: Diane Brown Gallery. Collins & Milazzo. Art at the End of the Social (exhibition catalogue). Malms, Sweden: The Fredrik Roos Museum. Collins, Tricia and Richard Milazzo with Gary Indiana. Hybrid Neutral: Modes of Abstraction and the Social (exhibition catalogue). Denton, Tx: University Art Gallery, The University of North Texas. Joselit, David. The Binational: American Art of the Late '80s (exhibition catalogue). DuMont. Kertess, Klaus. Artschwager: His Peers and Persuasion 1963-1988 (exhibition catalogue). Los Angeles: Daniel Weinberg Gallery. 1987 Collins, Tricia and Richard Milazzo. The Ironic Sublime (exhibition catalogue). Munich, Germany: Galerie Albrecht. Collins, Tricia and Richard Milazzo. Extreme Order (exhibition catalogue). Naples: Lia Rumma Napoli. Collins, Tricia and Richard Milazzo. The New Poverty (exhibition catalogue). New York: John Gibson Gallery. Crone, Rainer. Similia/Dissimilia (exhibition catalogue). Nowlin, Stephen with Steven Beyer, Eleanor Heartney et.al., Atlantic Sculpture (exhibition catalogue). Pasadena, Ca: Art Center College of Design. 1986 Collins, Tricia and Richard Milazzo. Ultrasurd (exhibition catalogue). Toronto, Canada: S.L. Simpson Gallery. Collins, Tricia and Richard Milazzo. Modern Sleep (exhibition catalogue). New York: American Fine Arts Co. PUBLICATIONS 2008 Rosenberg, Karen. ‘Where have all the Paintings gone?” The New York Times, May 30, 2008 Adams, Brooks. ‘After the Hunt,’ Art in America February 2008 2007 Laudanno, Claudia. “Saint Clair Cemin at Brito Cimino.” Arte Al Dia, Issue #116 Cohen, David, "A Nostalgia for Radical Inquiry," The New York Sun, Jan 11, p. 15 2006 Robinson, Andrew, "Material Worlds," Gay City News, Dec. 28-06 2004 Pepe, Sheila, “Soul of the Machine,” Gay City News, Vol. 3, Issue 345, Nov. 4-11th The New Yorker, “Talk of the Town,” Issue of November 8th. 2002 Mahoney, Robert “Saint Clair Cemin” Time Out New York, Issue 336. Mar. 7-14 Kuspit, Donald, “Saint Clair Cemin” Artforum 2000 Naves, Mario. "Currently Hanging." The New York Observer, August 21, p. 15. 1999 Vermont Studio Center Newsletter, January. "Events Calendar." black and white, January. Vora, Shweta. "Brazilian sculptor featured at BMA," Kaleidoscope, Volume 72, Number One, University of Alabama, January 5, p. 11. Oldham, Ned. "The Art of Profound Possibilities." black & white, Number 100, January 21, pp. 6-7. Ruiz, Bianca. "Inaugura Saint Clair Cemin exposicion, Crea su arte sin miedos." February. Artner, Alan G. "The engrossing playfulness of sculptor Saint Clair Cemin." Chicago Tribune, Sec. 7, March, p. 65. Hawkins, Margaret. "Ritual Renderings: Artworks investigate life's rites," Chicago Sun-Times, 26 March, p. 54. "Spotlight." Art & Auction. July-August, p. 96. Schwendener, Martha. "Saint Clair Cemin, Cheim & Read," Timeout, July 22-29, p. 81. Arning, Bill. "Saint Clair Cemin at Cheim & Read." Art in America, November, p. 141. 1998 Lieberman, Claire. "Stone Mystery or Malaise?" Sculpture, February, p. 31. Lind, Ingela. "Sksnhet i vit marmor/Konst." April 29. Alhadeff, Gini. "Brooklyn." Travel and Leisure, September, pp. 195, 97. Vermont Studio School Newsletter, November. Protzman, Ferdinand. "Changeling's Shapes, At Baumgartner, Sculptor Cemin Assumes New Forms." The Washington Post, November 12. 1997 Fioravante, Celso, "Cemin vem ao Brasil com ineditas." Folha de S. Paulo, March 5, p. 7. Hirzsman, Maria. "Saint Clair Cemin mostra o Brasil que esculpe em Nova York." Jornal da tarde, March 5, p. 1C. De Moraes, Angelica. "Cemin exibe seis esculturas que seduzen." O Estado de S. Paulo, March 5, p. D7. De Moraes, Angelica. "Comeca boa temporada mas artes visuais." O Estado de S. Paulo, March 7, p. D8. "Saint Clair Cemin faz em Sao Paulo a sua primeira mostra individual no Brasil." O Globo, March 7, p. 6. Giobbi, Cesar. "Marco comecou com jantares e festas elegantes." O Estado de S. Paulo, March 9, D9. "Visuais." O Estado de S. Paulo, March 14, Caderno 2. "Centro Cultural com folego renovado," n.d. "Daniel Senise da novo perfil as galerias do CCL, Artista coordena as artes plàsticas do Centro Cultural Light e abre temporaada com Louise Bourgeois e Saint Clair Cemin." n.d. Tinoco, Pedro. "A Semana/Reinauguracao." Veja Rio, April 7. "Centro Cultural Light reabre com novidades na programa*So." Ti/Bis, April 8. Rubin, Nani. "Nova luz no roteiro da arte/Light abre exposi*ses de Saint Clair Cemin e Louise Bourgeois." Jornal do Brasil, April 10, p. 2. "Bourgeois e Saint Clair Cemin ocupan Centro Cultural Light." Folha de S. Paulo. April 10. Thevenet, Claudia. "Descoberta Iluminada/Esculturas de Cemin." Journal do Brasil/Programa, April 11. Enriquez, Mary Schneider. "Latin American Contemporary Artists." ARTnews, May 1997, p. 162. Chaiklin, Amy, and Claire Ann Matz. "Recollections of a studio encounter: St. Clair Cemin." and "Interview." NY Arts, September 1997, p. 9. Saint Clair Cemin. "The Two." res 32, Autumn 1997, p. 1. Vermont Studio Center Newsletter, November. "Objectivity: International Objects of Subjectivity." ARTLETTER, Contemporary Art Center of Virginia, November-December. "Worldly Visions/Virginia Beach Center attracts works by renowned artists for a Sculpture Show with an International Flavor." The Virginian-Pilot, December 13, p. E1, 3. 1996 Mahoney, Robert. "Art Review: Saint Clair Cemin." Time Out New York, January 3 -10, p. 22. Koplos, Janet. "Saint Clair Cemin at Robert Miller." Art in America, March, p. 100. Pozzi, Lucio. "Mostra di gruppo fatta da una persona sola." Il Giornale dell'arte, March, no. 142, p. 61. Schwendenwien, Jude. "Saint Clair Cemin, Robert Miller Gallery." Sculpture, Vol. 15, No. 5, May/June, p. 72. Pollack, Barbara. "Gramercy Park Hotel Fair: Cache or Passe?" ARTnewsletter, Volume XXI, Number 19, May 14, p. 5. 1995 Sculpture, January - February, vol. 14, no. 1, p. 49. Il Segno, March-April. Carrara, Monica. "Saint Clair Cemin, o dei materiali." L'Informazione, March 26. "Saint Clair Cemin." Flash Art. April-May, no. 191. Barili, Renato. "Torchi con le ali." L'Espresso, April 7. Beolchi, Andrea. "Saint Clair Cemin: Il decoro e l'inattualita." L'Espresso, April 7. Alberto, Fiz. Italia Oggi, April 15. Cemin, Saint Clair. "Saint Clair Cemin." Tema Celeste, pp. 48-51. Senaldi, Marco. "Saint Clair Cemin - Gianferrari." Flash Art, n. 192, June-July. Tantucci, Enrico. "La nuova arte del Sudamerica." La Nuova Venezia, June 13. "Il Volto arcano magico della realta sudamericana." Artesania de la Peripheria, June 21. "Il volto arcano e magico della realta sudamerica." Il Gazzettino, June 21. Stephens, Suzanne. "On the Twentieth Century," Architectural Digest, July, pp. 82-92. "Venezia." Quadri e Sculture, July-August. di Luce, Michaela. "Biennale a parte." Artesania de la Peripheria, July 15. Luce, Michela. "Biennale a pare." Il Giorno, July 15. Smith, Roberta. "Art in Review: Saint Clair Cemin." The New York Times, December 29, p. C28. 1994 Valenciano, Llaura. "MARCO reanuda actividades con Canales." Sierra Madre, El Norte, January 11. Machuca, Marcela Garcia. "Entra MARCO al '94 con par primicias." Sierra Madre, El Norte, January 11. Maza Moreno, Hector. "Abre ano Marco 'transvanguardia' e ironia." Sierra Madre. El Norte, January 11. Caballero, Alfa Irina. "Abra MARCO 1994 con Paladino y Saint Clair Cemin." Sierra Madre, El Norte, January 14, pp. 28-29. Mecenas, Cayo. "Galeria." Sierra Madre, El Norte, January 21. Garza, Jose. "Meten a MARCO caballo de 4 metros." El Norte, January 26. Gonzalez, Myrna. "Solo el artista es un horticultor." El Diario, January 27. Caballero, Alfa Irina. "Visita Guiada: Acompane a Walter Hopps en un recorrido por MARCO." Sierra Madre, El Norte, January 28, pp. 53-53. Machuca, Marcela Garcia. "Abren hoy en MARCO dos visiones escultoricas." El Norte, January 28, p. 9D. Esquivel, Laura. "Saint Clair Cemin: Seducido por el canto de las piedras." Encouentro con el Arte, January 29. Larios, Yolanda. "Es el mago brasieno de la forma." Encuentro con el Arte, January 29. Caballero, Patricia. "Clair y Paladino." ABC, January 31, p. 4C. Dominiguez, Angelica. "Saint Clair Cemin: Expone por primera vez en Monterrey." ABC, p. 4C. BarrÑn Lourdes. "Saint Clair Cemin dicta conferencia." El Diario, Feburary 1, p. 3D. Garza, Norma. "Llega la vanguardia internacional." El Norte, February 7. "Bienal aposta em brasileiros jovens," Folha de S. Paulo, February 9, Sec. 5, p. 1. De Moraes, Angelica. "Falta coer*ncia ö lista da Bienal," Jornal da Tarde, February 10, Sec. 2. Carvalho, Mario Cesar and Daniel Piza. "Conheca ps 23 artistas brasileiros da Bienal," Folha de S. Paulo, February 10, pp. 5-7. Rodriquez Canales, Rodrigo. "Saint Clair Cemin: La ironia sublimida." El Norte. March 10, p. 8D. Garza, Jose. "Descubren sus manos modeo de disfrutar el arte." El Norte, March 12, p. 2D. Picasso, Sydney. "Saint Clair Cemin chevalier des formes." French Vogue, April, pp. 62-63. Herrera, Mario. "Es la obra de Cemin un retorno al objecto." El Norte, April 2, p. 2D. Kaneda, Shirley. "Saint Clair Cemin." Bomb, Spring. pp. 52-57. Steinmetz, Klaus. "Saint Clair Cemin, Galeria Barbara Farber." Art Nexus, April - June, p. 129 (English translation on pp. 192-193). Lucianna, Katherine Hunter. "Life is a Dream," Orange Life, Summer, p. 17. Baumgarten, Lori. "Rushmore Festival to open in Woodbury," The Photo News, Vol. 29, No. 25, June 22, pp. 1,14. Nathan, Jean. "An Estate Stars as a Spanish Palace." The New York Times, June 23, p. C4. Carvalho, Bernardo. "Cemin ataca a repressao da arte." Ilustrada, June 23, p. 1. Carvalho, Bernardo. "Artista associa artes marciais e criacao." Folha de S. Paulo, June 23, p. 5-3. Lyons, Donald. "Royal Fury Indoors and Out." The Wall Street Journal, July 8. Cemin, Saint Clair. "The Jumping French Book and the Three Mad Ranchers." Turn- of-the-Century, Vol. 1, No. 2, Fall, pp. 26-29. "Opening Night: The Sculpture of Saint Clair Cemin." Center for the Fine Arts Newsletter, October. "Escultor gaucho expoe em Miami." The Brazilian Post, n.d. pp. 1, 12. Ash, John. "Clair Voyant." Artforum, October, Vol. XXXIII, No. 2, pp. 70-73. Wachtmeister, Marika. "Skulptsren Saint Clair Cemin en Man Med Flyt." Femina, October, no. 10, pp. 116-120. Lobacheff, Georgia. "Bienal: Mais espaco para os jovens." Caderno SP, n.d. "22a Bienal Internacional de Sao Paulo." Suplemento Especial do Jornal da Tarde, October 7, pp. 1, 4, 6. Alvarez, Armando. "Hablando en metal." El Nuevo Herald, October 12, pp. 1,4. De Moraes, Angelica. "Globalizacao e dacusa de diaspora." O Estado de S. Paulo, October 12, p. DD2. Lobacheff, Georgia. "22a Bienal e aberta em clima de montagem." O Estado de S. Paulo, (Caderno 2), October 13. Veras, Eduardo. "Artista gaÏcho diz que Bienal parece guerra malfeita." Segundo Caderno, October 13, p. 8. A.M. "Falta coesao no elenco brasileiro." n.d. Vazin, Luc. "Les etranges creatures de Saint Clair Cemin." Infomatin, November 30. Bouzerand, Jacques. "Tous Paris Galeries." November. "Galeries." Liberation, December 2, p. C1. 1993 Wallenheupt, Karen. "Saint Clair Cemin: trajetoria rumo a essencia do mundo" Gazzeta, January 5. Hagen, Charles. "Vik Muniz" The New York Times, February 5. Shepley, Carol. "Changing Forms Mask Commonality." St. Louis Post Dispatch, March 12. Schmidt, Staffan. "bildtext" April. Werner, Maria. "Skulptur som roligt aventyr." Sydevenska Dagbladet, April 3. Setterstrom, Jelena. "Konst som lustfyllt aventyr." Sydevenska Dagbladet, April 24. "Kunsthalle: Das 21.Jahrhudert" Baslerstab, May 13. "Die Zukunft als Vergangenheit" Kultur Szene, June/July. "Gescheiterter Blick ins 21.Jahrhundert" Badener Tagblatt, June 5. Mack, Gerhard. "Design oder Gestank" Suddeutsche Zeitung, June 9. Lamoree, Jhim. "Subtiel pervers." HP/DE TIJD, October 8, pp. 80-83. 1992 Feaver, William. "Once More with Feeling." Observer, February 23. Cork, Richard. "Do you see what they see?" The Times (London), February 28. Wood, Carol. "Directions: Saint Clair Cemin and Saint Clair Cemin at Baumgartner Galleries." Art Papers (Atlanta, Ga. publication), March/April, vol. 16, no. 2, p. 63. "Directions: Saint Clair Cemin" n.d. Lillington, David. "Doubletake" Reservoir, March. Gillick, Liam. "Doubletake" Art Monthly, March. Negrotti, Rosanna. "Double Vision." What's On, March 25 - April 1, pp. 8-9. Lebovici, Elizabeth. "Londres, une exhibition very smart." Liberation, March 27. Larson, Kay. "Small Wonders." New York, March 30, p. 62. Morgan, Stuart. "Stuart Morgan reviews Doubletake the largest international show of Contemporary Art in Britain for six years." frieze. (London), issue 4, April - May, pp. 7-11. Melhuish, Clare. "Seeing Double." Building Design, April 3, pp. 13-14. Cotter, Holland. "Saint Clair Cemin" The New York Times, p. C30, April 3. "Saint Clair Cemin" The New Yorker, April 6, p. 12. Hagen, Charles. "Art in Review: 'Play Between Fear and Desire'." The New York Times, May 8. Prestes, Eleone. "Gaucho expoe na Documenta." Zero Hora (Segundo Caderno) (Porto Alegre, Brazil), May 27. Morgan, Stuart. "le corps en morceaux." Beaux Arts, June, no. 102, pp. 80-89. Villela, Heloisa. "Artes do mundo sem solucao," O Globo, June 8. Moraes, Angelica de. "Fragmentos da arte Brasilera" Jornal da Tarde, n.d. Prestes, Eleone. "DOCUMENTA / reune a arte do mundo." Revista ZH, June 14, p. 6. "Um rruz-altense na mais influente mostra de arte do mundo" DS, June 28. "Saint-Clair passou em branco no Brasil" No Folha da tarde de Sao Paulo, n.d. "Cemin faz esculturas para a Documenta", O Globo, p. 1, n.d. Johnson, Ken. "Saint Clair Cemin at Robert Miller." Art in America, July, p. 109. Kuspit, Donald. "Saint Clair Cemin Postmodern Comic." Sculpture, September- October, volume II, no. 5, pp. 26-29 and cover. Danvila, Jose Ramon. El Punto de las Artes (Madrid). September 18 - 24. Pottecher, Beatriz. "La vividura." El Mundo (Madrid). September 19. Huici, Fernando. "Fuera de lugar." El Pais (Madrid-Barcelona), September 21. Jimenez, Carolos. "Documenta 9, Balance y fuga." Art Nexus, October, (English translation), no. 6, pp. 98-99, translation on pp. 191-192. Jimenez, Pablo. "Saint Clair Cemin, como la vida misma." ABC (Madrid), October 2, p. 32. Fernandez, Horacio. "Otono consigue reanimar a las galerias madrilenas," Magazine/El Mundo (Madrid). October 3-4. Zaya, Octavio. "El posmodernismo es un movimiento explotado." Diario 16, October 6. "Galleries - Soho: Saint Clair Cemin." The New Yorker, November 30, p. 26. Antonello, Teolides. "Cemin, um gaÏcho que faz sucesso." Correio do Povo, December. "Saint Clair, O genio da escultura volta a terra nata." Diario Serrano, December 29, p. 5. 1991 Prodhon, Francoise-Claire. "Vertigo," Galeries Magazine, January. Prodhon, Francoise-Claire. "Thaddaeus Ropac," Flash Art, January. Holloway, Memory. "Long-Distance Runners." Art International, n. 14, Spring/Summer. "Summer Shows at Witte de With." Flash Art International. (Flash art News section), Summer, vol. XXIV, n. 159, p. 149. "Jessica Stockholder - Saint Clair Cemin," Kunst & Museumjournal, No. 6, Summer. " 'Rope' ('La soga') Colgados de Hitchcock" Guia del Ocio, No. 30, June 7. Borras. Maria Lluisa. "Apologia de lo dispar." La V'anguardia, June 11, p. 7. "Cemin/Stockholder in Witte de With," De Dordtenaar, June 14. "18 Artistas," El Pais, June 15. Donia, Jan. "Twee controversen in de Beeldhouwkunst" De Krant op zondag, June 23, p. 17. Peters, Mark. "Stockholder bouwt poezie uit rotzooi van de nieuwe wereld," NRC, June 24. Clot, Manuel. "Los sistemas ocultos, 18 artistas norteamericanos, alrededor de una tesis" El Pais, June 29, p. 5. "Altrove, tra immagine e identita, Uno dei temi piu importanti del nostro tiempo" La Nazione, July 6. Badia,Montse. "Sota l'enc's de Hitchcock" Avui, July 17. M.P. " 'Altrove', fra immagine e tradizione" La Gazetta, August 15. Broadrup, Elizabeth. "Commissions: Saint Clair Cemin, Mercury Fountain, Reston, Virginia." Sculpture (magazine of the International Sculpture Center, Washington, D.C.), September-October, vol. 10, no. 5, p. 25. Cameron, Dan. "Shifting Tastes." Art & Auction, September, vol. XIV, no. 2, p. 81. Miliani, Stefano. "Il giro del mondo con dodici artisti" Toscana Cultura e Spettacoli, October 9, p. 27. " 'Altrove,' fra immagine e tradizione" La Nazione, October 11. Lewis, Jo Ann. "The Hirshhorn's Variety Show." The Washington Post, October 21, pp. B1, B8. Billi, Giuseppe. "Mostra al 'Pecci' Sempre piu 'altrove'" La voce di Prato, October 27, p. 14. Floris, Luciana. "Identita e essere altrove" L'Unione Sarda, October 30. Miliani, Stefano. "Mickey Mouse il terrible" Toscana Cultura e Spettacoli, October 30, p. 27. Kuspit, Donald. "Gran Farsa." Atlantica, November, Nos. 2-3, p. 7. Vettese, Angela. "L'arte degli 'altri' vissuta come sfida" Il Sole-24 Ore, November 17, p. 34. Walden, Bruno von. "Oggli l'arte si difende parodiando" L'Adige, November 20. Rosenbach, Michael. "Galleries: Sculptor Cemin at Baumgartner." The Washington Post, December 14, p. C2. 1990 F.C., A. "Mass Appeal." Vanity Fair, January. Zetterstrsm, Jelena. "StrSngt skulpuralt men med leklynne." Sydsvenskan, May 5. Brenson, Michael. "Wide Sculptural World of Saint Clair Cemin." The New York Times, September 21, p. C24. "Die Macht des Objekts an der Seine." Der Standard, October 30, p. 14. Forgey, Benjamin. "Reston's New Urban Attitude." The Washington Post, October 13. "Saint Clair Cemin." The New Yorker, October 15, p. 20. J.-M. C. "Vertige de Paris pour Ropac," Beaux Arts, November. "Unweit des Picasso-Museums ein, 'Temple' fur die Avantgarde," Salzburger Nachrichten, November 3. Rensbarger, Fran. "An 'Old' Downtown Now Taking Shape." The New York Times, November 11, p. 5. Paparoni, Demetrio. "Angel or Wild Beast. Saint Clair Cemin." Tema Celeste, No. 27-28, November-December, pp. 28-32. Collins, Tricia and Richard Milazzo. "Tacit Disruptions. Saint Clair Cemin." Tema Celeste, No. 27-28, November-December, pp. 32-33. Rubinstein, Meyer Raphael. "Saint Clair Cemin." Flash Art, No. 155, November / December, n. 155, p. 153. "Ropac Aussi," des Arts, n.d. Hayt-Akins, Elizabeth. "Quaesto Facti: The Sculpture of Saint Clair Cemin." Arts Magazine, No. 65, December, pp. 42-44. Tanaka, Hiroko. "Art in New York." Hi Fashion. December, p. 204. Kuspit, Donald. "Saint Clair Cemin." Artforum, December, p. 132. Melrod, George. "Saint Clair Cemin." Artnews, No. 89, December, pp. 155-156. Carteron, Philippe. "Melting-pot plastique," Le Nouvel Observteur, December. A.H. "Eine Stadt fur die Avantgarde," Frankfurter Allgemeine Zeitung, December 1. Tallman, Susan. "Saint Clair Cemin," Metropolis M, No. 6, December 1990. Kala, Gabriele. "Ein Standbein in Paris," Die Furche, No. 50, December 13. 1989 Graw, Isabelle. "The American BiNational." Flash Art, No. 144, January/February, pp. 108-109. Hixon, Kathryn. "Saint Clair Cemin." Arts Magazine, No. 63, February, p. 107. Pappernigg, Michaela. "Melancholia." Observer, March, pp. 28-31. Bakargiev, Carolyn Christov. "Saint Clair Cemin, Il camaleonte ama il bronzo," Arte, March 5, p. 28. Ratcliff, Carter. "Post Modern Tropics." Elle, April, pp. 182, 184, 186. S. K. "Melencolia - eine Ausstellung in der Galerie Insam." Weiner Zeitung, (Vienna) April. Horst, Christoph. "Ratlos Schsn." Profil, Nr. 14, April 3. Geer, Suvan. "Saint Clair Cemin," Los Angeles Times, April 7. Pagel, David. "Blending Metaphor and Allegory." Artweek, April 22. Smith, Roberta. "More Women and Unknowns in the Whitney Biennial." The New York Times, April 28. Wilson, William. "Deja Vu-ing at the Whitney." Los Angeles Times, April 29, pp. 1, 6. Bosma, Marja. "Horn of Plenty." Contemporanea, May, p. 94. Smith, Roberta. "Old, New, Traditional and Alternate Spaces," The New York Times, May 5, p. C30. Mahoney, Robert. "Barking for Art." New York Press, May 19, pp. 12-13. Larson, Kay. "Apocalypse Now." New York, May 29, pp. 66-67. "Three New Artists," Bottom Line, Vol. 10, No. 11, June 15. Cotter, Holland. "Report from New York: A Bland Biennial." Art in America, September, pp. 81, 83, 85, 87. Danto, Ginger. "Object/Objectif." Artnews, September, p. 191. Gookin, Kirby. "Between States of Being. Saint Clair Cemin." Tema Celeste, No. 27, September, pp. 45, 47. Mahoney, Robert. "Saint Clair Cemin." Arts, September, p. 98. Markus, Liz. "Saint Clair Cemin." Sculpture, No. 8, September/October, p. 84. "Hybrid Neutral: Modes of Abstraction and the Social," ICI Newsletter, Vol. 4, No. 1, Winter, p. 2. 1988 Heartney, Eleanor. "Saint Clair Cemin at Massimo Audiello." Artnews, No. 76, January, p. 130. Mahoney, Robert. "Saint Clair Cemin." Arts Magazine, No. 62, January, p. 110. Wallach, Amei. "When Thought Outweighs Technique in Art." New York Newsday, January 15, p. 25. Ben-Haim, Tsipi. "Saint Clair Cemin." Sculpture. March/April. Cooke, Lynne. "Saint Clair Cemin." Artscribe, Nos. 67-72, March/April, p. 88. Pozzi, Lucio. "E un accademico a farci uscire dal conformismo del fantastico," Il Giornale dell'Arte, No. 55, April. Pozzi, Lucio. "Ceminal Art." Artforum, XXVI, No. 9, May, pp. 108-110. Smith, Roberta. "Group Shows Revive The Jaded Art Palate," The New York Times, June 17. Kutner, Janet. "Abstraction that get downright specific," Dallas Morning News, September. Artner, Alan G. "Delighting in the Unexpected." Chicago Tribune, November 10. Heilenman, Diane. "Hybrid Neutral: Modes of Abstraction and the Social," The Courier-Journal, December 4. 1987 McCormick, Carlo. "Saint Clair Cemin." Artforum, No. 25, January, p. 113. Presser, Decio. "A critica aprova. Saint-Clair vence em Nova Iorque," Correio do Povo,February 1, p. 36. Indiana, Gary. "Future Perfect." Village Voice, March 10, p. 85. Kaplan, Steven. "Head, Heart and Hands." Artfinder, Spring, pp. 96, 99. Trimarco, Angelo. "Nella galassia tardo-moderna," Il Mattino, May 12, p. 13. McCoy, Pat. "The Antique Future." ArtInternational, Summer, pp. 77-78. Albrecht, Suzanne. "The Ironic Sublime," MÙncher Stadtzeitung, No. 13. Woodruff, Mark. "The Antique Future: Articulating the Void." New Art Examiner, June, pp. 36-37. Izzo Archangelo. "Sculture al supermercato." Il Giornale di Napoli, June 4. Collings, Matthew. "Posthumous Meaning: An Interview with Collins & Milazzo." Artscribe, September/October, pp. 44-49. "Saint Clair Cemin: Irony and Sincerity." New Observations, No. 51, October, p. 4. Schmidt-Wulffen, Stephen. "Similia/Dissimilia." Flash Art International, October/November, (international version) p. 100. Smith, Roberta. "Saint Clair Cemin." The New York Times, November 20, p. C35. Levin, Kim. "Saint Clair Cemin." The Village Voice. November 24. Brenson, Michael. "Similia/Dissimilia." The New York Times, December 18. Collins, Tricia & Richard Milazzo. "Tropical Codes: Neue Kunshaus New York," Kunstforum, December 1987 - January 1988, pp. 100-103. 1986 Lurie, David. "Saint Clair Cemin at Daniel Newburg." Arts Magazine, No. 60, January, p. 138. Collins & Milazzo, "Tropical Codes." Kunstforum, May, pp. 336-37. Cone, Michelle. "Readymades on the Couch." Artscribe, June. Mahoney, Robert. "Time After Time." Arts, Summer. Pozzi, Lucio. "Che ve ne sembra dell'America?" Il Giornale dell'Arte, No. 38, October. McGill, Douglas. "Art People / Successful Partnership," New York Times, October 17, p. C1. Werner, Hans. "Coming Soon: Surdrealism," Canadian Art, Vol. 3, No. 4, Winter/December, pp. 21-22. Grenville, Bruce. "Ultrasurd." Parachute, No. 45, December 1986 - February 1987. 1985 Jones, Alan, "Saint Clair Cemin - A Code for the Curio." New York Talk, October, p. 30. 1982 Presser, Decio. "Saint-Clair e a vanguarda de NY," Folha da Tarde, October 28, p. 37. 1981 "Cruz-altense e destacado como 'Artistadomes' pelo Museu de Arte moderna do estado," n.d. Presser, Decio. "Tres gauchos de prestigio inauguran individuais," Folha da Tarde, p. XIII, September 19 &20. "Antigas imagens, A jovem gravura busca a technica do passado," Reportageu de Revista, November 18. "Veja Saint-Clair," Esquemas & transaa. 1979 "Saint Clair em Cruz Alta," Cruz Alta Urgent, September 25. go to top